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yesterday's screening 昨日之放映




非常感谢昨天来的观众们,就算事先并不认识,之后我们也成为朋友了,不是么?

最后大家都帮忙抬桌子这件事儿 让我很感动。

希望16号多一些人来玩儿,那样就好了 哈哈哈!
I must say thank you to all the audience who made it to attend yesterday's screening!!!! You are the best audience ever!!!

广告一下,我们11月5日在船场放映的纪录片之一-------烏鴉邦²

烏鴉邦²
  Utopia
  片長(Length): 27min
  完成年份(Year): 2010/9
  影片類型(Type):紀錄 Documentary
  導演(Director):程安琪 Angel Cheng
  攝影(Cinematography):姚詠豪 Dynax Yiu 田凱 King Tian 程安琪 Angel Cheng
  剪輯(Editing):程安琪 Angel Cheng 莊淑芳 Fanny Chong
  學校(School):栗憲庭電影學校LXT's Film Fund
  對白(Dialog):中文Chinese
  字幕(Subtitle):中英文 Chinese & English
  参展信息:
  第一届首届国际学生短片节-北京/The 1st ISSFF
  第四届重庆民间映画交流展/ CIFVF2010
  第二届杭州大学生电影节/ HSFVF2010
  
  内容梗概:
  從7月15日起,北京臨·帳篷劇社《烏鴉邦2》劇組和日本野戰之月劇團、台灣海筆子劇團的成員們便開始在北京朝陽區皮村搭建演出的帳篷。7月31日到八月三號,每天一場演出,他們要在自己搭建起來的帳篷裡演出中國首部原創帳篷劇《烏鴉邦2》,演出結束之後,還要自己拆除親手搭建的帳篷。
  帳篷劇是上世紀六十年代興起於日本的藝術形式,1998年曾首次來到中國,2007年,《烏鴉邦2》的導演之一、日本著名帳篷劇導演櫻井大造又應邀在北京導演了《變幻痂殻城》,這次在皮村,是他們第二次來到中國,《烏鴉邦2》是由中國的帳篷劇愛好者推出的第一部原創作品。
  帳篷像一個小小的烏托邦,是歸隱之處,更是桃花源般的烏托邦式存在。帳篷的成員也是魚龍混雜,北京的帳篷更加複雜,也顯得尤其特別,因為其社會精英的組員結構。日本與台灣的帳篷劇團的主要組員是小市民,小商販和工人,而北京的劇團則多數受過高等的教育,組員中不乏各地留學生,博士生,博士後,大學教授甚至中科院的院士。這些人平時過著完全不同的生活,但是卻因為喜歡帳篷劇這樣一種自我呈現的方式而聚攏在一起,在偏遠低調的皮村做著這樣一種看起來粗糙辛勞甚至有些山寨的表演。
  
  
  Synopsis:
  Since July 15th, the team of << Utopia >> of Beijing, and the “rural war of moon” group, “Bihaizi” team of Chinese Taipei are building tents in the Pi Village in the Chaoyang District of Beijing. From July 31st to August 3rd, they act the first original tent drama in the tents made by themselves.After the acting, they also dismantle the tents made by themselves.
  The tent drama is the Japanese are form rising in the 60s. It comes to China in 1998 at the first time. In the year 2007, one director of the drama <>, the famous director Sakurai Daizo was invited to Beijing and directed the show << Utopia >>. This time in Picun Village, it's their second time to be in China. << Utopia >> is the first original masterpiece of the tent drama lovers. Tent is like a small utopia, a hidden place, where there is the utopia in existence. The members of the tents various, even more complicated in Beijing and more unique because of the structure of the social elite teams. The main members of Japanese and Chinese Taipei tent drama teams are citizens, small businessmen, and workers. Compared with that, the Beijing drama team is made up of major members with high education. There are many oversea students, doctor of philosophy, after doctor of philosophy students, doctors in universities, and even The cas's academician. They live totally different lives but are grouped by the same interest in tent dramas, and do such rough and fortress work in the remote and low key Pi Village.



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